The New York Polymer Clay Guild is please to announce the following workshops for 2008:
Like Fred Aster and Ginger Rogers, peanut butter and jelly, frank and beans, peaches and cream, polymer clay and Precious Metal Clay were made to compliment each other. In this workshop, we will concentrate on projects that bring these two art materials together to form beautiful pieces of jewelry.
This class is open to beginners as well as those who have experience with PMC.
What we will do? Create decorative bezel forms. Then use
Polymer Clay as an inlay material to enhance these forms. This process
will entail rolling, cutting, dry construction, use of texture plates,
sheet laminating, crewelwork, and much more, all with PMC. We will go
over firing and finishing the PMC. Then, you will use your Polymer
clay— a Skinner blend, fancy cane, or simply a solid color—to enhance
your piece. And finally, we will go over polishing the PMC and polymer
inlays for a fabulous look.
So gather up your supplies and come on over to St John’s for a fun and creative time while making something beautiful to wear.
If you have any questions,
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. Please be aware that because of the fluctuating price of silver, the
cost of the materials is approximate and will be based on the market
price of silver. The current materials fee cost is $77. This includes
28grams PMC+, 7.5 grams PMC+ Paste, 1 PMC+ sheet, plus other consumable
supplies used during the process which Terry will supply. If you want
to bring your own PMC, that’s fine, but you will still need to pay at
least $15.00 for the consumables.
| Ilene Goldman Basic Millefiore Caning |
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Apr. 12-13, 200810am-5pm |
St. John's University, 101 Murray St., NYC |
Skill - All Levels
Day
1 - Learn how to make a 2 color Skinner Blend and 3 simple canes -
Bull's Eye, Jellyroll and stacked. We will combine these simple canes
into a complex "funky" flower cane. Techniques for reducing a cane will
also be shown.
Day 2 - Using the techniques learned in Day 1,
we will continue to make some simple canes and incorporate them into a
realistic flower cane.
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Jun. 28-29, 200810am-5pm |
St. John's University, 101 Murray St., NYC |
Skill level: all levels
Materials fee: $25 includes clay and findings
Some
say that Mokume Gane rhymes with “play with clay all day” and that is
exactly what we will be doing for two days in this fun, fast paced
survey of this excitingly versatile technique. You will learn valuable
tricks and tips while making five different brooch or bead styles that
feature-Haunani-gane, Roche-gane, Amt-gane, Wavy-gravy gane
(unfortunately NOT a Ben and Jerry’s ice cream flavor) and ‘end-of-the
day gane”.
Haunani Gane - Glistening, gossamer, intriguing
layers of polymer clay characterize this version of Mokume Gane.which
is an adaptation of an ancient layered metalworking technique. You will
learn the keys to color selection, how to tint translucent clay, make a
mokume block and useful strategies for multi-layered construction.
Discover what works best for beads, sculptural surfaces and flat pieces
that have the illusion of real depth. Explore ways to manipulate the
surface finish to accentuate the beautiful designs you have created.
Roche-gane
- High contrast opaque layers manipulated from above with the matrix
used to make rubber stamps. With this version of mokume gane, invented
by Nan Roche, you will be exploring a southwestern palette to create
stunning predictable, unpredictability and the importance of value
contrasts.
Amt-gane is a version on mokume gane pioneered by
Kathleen Amt where the billet is cut into and stretched to reveal
ghost-like spreads of color. You will learn how to fashion a pendant or
pair of earrings with this fall inspired palette.
Wavy-gravy
gane, while not edible, is an exciting way to use a French fry cutter
developed by Marie Segal to capture t will choose from a pastel delight
or metallic palette to explore this technique.
End-of–the-day gane is proof in the recipe, that sometimes too much planning ahead can nip serendipity in the bud....
Plan
on attending with Your two magical hands, suspension of doubt and an
awareness of the true Magic inherent in polymer clay- and leave with
several completed projects, an increased confidence with working with
color, hands-on understanding of valuable bench tricks and an enhanced
understanding of Your artistic self..
For more information on these workshops, directions to St. John's University or other NYPCG activities, see www.nypcg.org or contact
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.
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